Humphrey Asanji

Curriculum Vitae

Centres d'Intérêts

ASANJI HUMPHREY is a film maker/actor from the North West Region of Cameroon. ASANJI HUMPHREY got into the film industry in 2017 with the film titled "NIGHTMARE" by Ngang Romanus which he served as the gaffer. His most recognise film "HIDDEN DREAMS" which he served as the assistant Light technician was selected to represent Cameroon at the 94th edition of the OSCARS. In 2019 "Bed of Thorns" a film by Ngang Romanus had a jury spacial mention at "The Lake Internal Pan African Film Festival" in Kenya. Filed with lots of passion and readiness to learn, ASANJI HUMPHREY has been involved in a theatrical training program with "The God Given Idiots " (GGITV) which ASANJI HUMPHREY later obtained a certificate in acting and as a lighting technician in Theatre production. As an actor, ASANJI HUMPHREY has been involved in a well recognised theatrical production titled "THE DIARY OF A DEAD SOUL" directed by Mr. Tafor Ateh which has gone a long way to represent the University of Bamenda in the "Cameroon Arts and Cultural Festival" in Bertoua in 2018 and the "Universities Festival of Arts and Culture" (UNIFAC) in Douala 2020 which (GGITV) emerged at the first position. In the arts of film making, ASANJI HUMPHREY has also served as an editor in a short film by Ngang Romanus titled "Turning Point" and as a sound recordist in "TEARS OF BLOOD". ASANJI HUMPHREY is a holder of Master of Arts degree in Theatre, Television, and Film Studies at The University of Bamenda.

Institution

PhD Student - University Of Bamenda

E-mail

asanjihumphrey05@gmail.com

Téléphone

678485833

Adresse

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237,

Lighting In Cinematography: An Examination Of Its Impact On Audience’s Emotional Response In “The Nun” And “The Fisherman’s Diary (2021)

A key reason for the success of live-action films is the effects of cinematic lighting. The movie that does not engage the audience emotionally is a failure and this implies that the filmmaker has failed in his goal to get to the audience. Lighting for film is not an easy art and requires a lot of learning and practice as well as research to be able to do effective lighting. The problem is that most filmmakers especially in Africa are not well trained in lighting and that is one of the main reasons why film does not reflect the original and intended massage for the screen writers. This dissertation therefore examines the effect of film lighting and its impact on audience‟s emotional responses in the movie, THE NUN and THE FISHERMAN’S DIARY. Considering the fact that this research is an analytical type of research with a qualitative approach in nature. This research is aimed at looking at the different techniques of cinematic lighting applied in the two movies and how they are used to impact audience‟s emotional response. It is based on the hypothesis that Lighting in film is a great determinant of how the film affects the audience‟s emotional response. An in-depth analysis was carried out as the method of research where the researcher watched the two movies to critically analyze and identify the different lighting techniques employed in the movies under study by the filmmakers to impact audience‟s emotional response. The results show that, Film lighting has a significant impact on audience‟s emotional response as seen from the movies under study THE NUN and THE FISHERMAN’S DIARY, which has been supported by film literature for the last 100 years. This research ends by proposing films to be watched and books to be read by film students and filmmakers. Keywords: Lighting, Impacts, Audience, Emotions, The Nun, The Fisherman‟s Diary.

Titre	Catégorie	Encadreur/Éditeur	Année	Action
Lighting In Cinematography: An Examination Of Its Impact On Audience’s Emotional Response In “The Nun” And “The Fisherman’s Diary	Mémoires	Paul Animbom Ngong, 2021 à Bamenda	2021